Waste some time at work/school by checking out his flickr page.

ihopeyourearsbleed.com Music Video of the Week: Frontier Brothers from Justin Metcalfe

Download a copy for your iPod

Check out the full-length HD version of the music video here:
vimeo.com/2925475

Also, be sure to check out the other Kinetiq HD videos:
vimeo.com/user346742
kinetiqhd.com

Songs featured in this video:

Cape Fear

I’ve Got Friends

Jump Blues

The lovely people over at Spinner.com are offering up a free download of the newest Manchester Orchestra song, “I’ve Got Friends.”

More exciting than this, though, is the fact that we now know that their album “Mean Everything to Nothing” will be released on April 21.  Put that at the top of my “Most Anticipated” list for 2009.

If you’ve got friends then your ears will bleed.

As soon as I picked the theme for this post I regretted it.  Seriously, I just chose to try and decide what my 3 favorite songs of all time.  The worst thing about this is that as soon as this is published I will look at what I chose and immediately think of another song that I like better.  So I suppose I should modify the title to read “Justin’s 3 Favorite Songs of All Time That He Can Think of at the Moment”, but that is just unreasonably long.  Much like this intro.

Favorite Song of All Time #1

“Stardust”-The Essential Dave Brubeck

Dave Brubeck is probably my favorite artist of all time.  I remember first being introduced to his music in middle school finding myself absolutely stunned by his non-conventional rhythms and abstract song structures.  His album “Time Out”, an incredible exploration of obscure time signatures (5/4, 7/5, 9/8), completely revolutionized the way I heard and thought about music.  Music became so much more than something to fill the silent air, but a form of art deeper than any other medium.

Stardust is by no means an obscure song.  Everyone (and I mean everyone) has heard a version of this song whether or not they listen to jazz.  If you watch enough romantic movies it is bound to show up in at least half of them, providing the perfect background for new found love.  Bing Crosby sang it.  Nat King Cole sang it.  Ella Fitzgerald sang it.  In the ITunes store I found almost 100 versions of the song.

So why does the Dave Brubeck song stick out to me?  Ironically, despite what I just said about loving the complex nature of his songs, I love this version (from the album “The Essential Dave Brubeck” featuring Bill Smith on clarinet) because of just how simple and stripped down it is; just a piano and clarinet.  I have listened to this song hundreds of times and it still never fails to take me away.

Favorite Song of All Time #2

“Colly Strings”- I’m Like a Virgin Losing a Child

No song has ever been as lyrically profound to me as Colly Strings.  It seems that no matter where I am at in a relationship (romantic, that is) the lyrics speak to that moment.  It goes through every stage of a relationship; every wonderful, painful, fearful, regretful, happy moment.  Three lines that stick out to me every time I hear the song:

Confessingly this is the first time I’ve loved you, and God I mean it, God I mean it, I hope that I mean it.

Cause like dying young, idols got the best of me.  Well don’t stop calling, you’re the reason I love losing sleep.

Besides, we can’t believe without bleeding.

I have no idea who or what Andy Hull wrote this song about, but his lyrics are so transcendent of his personal experience that they become this universal story of the journey through love.

Favorite Song of All Time #3

“Such Great Heights”- Garden State Soundtrack

I am going to make a really pathetic admission here.  For a long time after I first heard this song I thought it was first recorded by Iron & Wine and later covered by The Postal Service.  The song was just so beautiful that I could hardly fathom it starting as an upbeat electronica piece (don’t take this to mean I don’t like the Postal Service version; I love it, in fact).  But I was an idiot back then and learned the error of my assumption, which only led me to be further amazed by this stirring rendition.  Sam Beam completely transformed this song into a slow ballad, while managing to maintain the integrity of the original.  I hardly consider this song a cover.  It is more a reinterpretation of an already beautiful piece of art, both complimenting each other so well that both benefit in the end.

I hope your ears bleed.